USA

Sweetwater
Musicians Friend
Vintage King Audio
Zen Pro Audio
GearNuts.com
Front End Audio
Little Fish Audio
Guitar Center
Calistro Music
Pepper’s Pro Shop
DSP Doctor
ScitScat Music
Rack-N-Roll Audio
Sonic Circus
West L.A. Music

Canada

Media Musique
Studio Economik
Steve’s Pro Audio
Long & McQuade

U.K./Europe

Sub 6

Australia

Awave

Japan

Miyaji Import Division

China, Hong Kong, Taiwan, and Macau

High End Technology Co, Ltd.

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DRAGON

“The Dragon is a fantastic choice for “my one and only compressor”, and that’s a rare thing in today’s world of choice upon choice.”
Click here to read the entire Recording Magazine review by Paul Vnuk Jr.

“If you’re struggling to decide between a Distressor, an 1176 and an LA3A, the Dragon might be the solution — and it’s certainly worthy…”
Click here to read the entire Sound On Sound review by Hugh Robjohn

“To say that the Dragon has excelled in virtually everything that has been asked may seem an exaggeration, but the reality is that it has.” (translated from Spanish to English)
Click here to read the entire ISP Musica review by Roger Montejano

“The Dragon is a universal work-horse…you will realize every day that your investment has paid off…what a powerful thing!” (translated from German to English)
Click here to read the entire Studio Magazin review by Fritz Fey

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FOX

(Streaming high-res audio files coming soon)

More reviews:

Posted by VitaEtMusica on Gearslutz.com:
“It’s a very robust, big bottom, warm sound that fits well with my production style. Definitely a special sound. I believe it’s supposed to be a 1073 type pre, and it definitely nods in that direction, but this sounds more… sophisticated? Refined? It makes everything I’ve thrown at it a little “bigger” than my other pres. Kind of hard to describe…”

Posted by Unknown on Gearslutz.com:
“I have Fox #17 here and I have to agree, the vintage modes have a richness that is hard to describe, easy to appreciate, especially on voice. The sonic differences between the four options on each channel are subtle but distinct, and I suspect all four will get used here, including the modern mode, which sounds fast and tight but not sterile. Slate did a nice job with the Fox.”

4 Mic Preamp Circuits means versatility.

Covering the range from classic “British Class A-style” vintage tone to ultra-clean modern sparkle, the Slate Pro Audio Fox 2-channel microphone preamplifier is one of the most versatile mic pres out there. The way the Fox shapes tone is brilliant. There are two completely independent microphone preamplifier circuits in each of the Fox’s channels. The Vintage circuit calls up the sound of the legendary 1073-style preamp – warm, fat, and full of lush harmonics. Conversely, the Modern setting gives you a sparkling clean sound that’s perfect for capturing acoustic instruments in picture-perfect detail. What’s more, the Fox features two Combo modes, which combine the input and the output sections of both circuits, giving you a pair of completely unique preamp sounds.
Slate Pro Audio Fox Microphone Preamplifier Features at a Glance:

2-channel microphone preamplifier
4 distinct microphone preamplifier sounds in each channel
2 independent preamp circuits in each channel
Classic circuit provides 1073-style sound
Modern circuit provides ultra-clear sound
2 combo modes combine the input and output sections of each preamp circuit
Includes instrument inputs, phase controls, and phantom power
100% made in the USA

Get four fantastic microphone preamplifier sounds, from the Slate Pro Audio Fox 2-channel mic pre!

Click here to see the manual

The Slate Pro Audio DRAGON is unlike any dynamic audio processor you’ve heard before. Simply put, the DRAGON was created to be the most versatile compressor, limiter, and sound shaping tool that the pro audio industry has ever seen.

The Concept
The DRAGON starts with a classic FET compressor circuit, reminiscent of vintage units from the 60′s and 70′s. But the SLATE PRO AUDIO engineers enhanced the circuitry of the unit with a mastering grade signal path, including a CLASS A output section based around a custom-made transformer. The result is a compression quality that is rich and warm, but is also capable of sharp and aggressive tones. But this is only the start of what the DRAGON can do.

Add Some Character
The DRAGON includes three character settings that change the way the unit sounds and responds. The first setting is BOOM. This setting adds sub bass harmonics in a unique way that when combined with some compression, can make basses sound massive and kick drums pound like you’ve never heard before. The second setting is BITE, which adds a gentle forward character that makes the source more defined and clear. BITE is superb on bass, snare, vocals, and guitars. Last, is SHEEN. This character setting adds an airy gloss to the source, reminiscent of classic opto tube compressors. This setting is absolutely stunning on vocals, acoustics, and overheads. All character settings can be used simultaneously!

Go Vintage
The DRAGON contains a button called ‘VINTAGE’. This button enables circuitry which emulates a more vintage sound from a classic age of compression. The result is more harmonics, a bit of ‘grit’, and an overall more aggressive sound that is amazing on electric guitars, bass, and a must-hear on drums.

Saturate
The DRAGON has a three setting saturation selector. This saturation can add subtle harmonics or even gritty distortion to the source. On setting 1, it can add just the right of “life” to a dull vocal. On setting 2, it can add presence and warmth to a bass. On setting 3, it can add some rich harmonics to a snare to bring out the sustain.

Wait, There’s MORE
The DRAGON includes a hi pass filter so you have the option to control the amount of low end that feeds the compressor detection. This is useful when stereo linking two DRAGONS together for transparent mixbuss compression, or for grouped drum compression where you don’t want the drums to ‘pump’.

FET Your Mixbuss
Classic FET compressors have not been common mixbuss choices due to their excessive color and aggressive nature. However, the DRAGON includes a gentle 2:1 setting that sounds amazing on full mixes. With the character, vintage, and saturate options disabled, the signal path is quiet and clean with just the write amount of rich tone. Of course if you need more color or saturation on your buss, it’s just a button or switch away. With settings 2:1, character SHEEN, Saturate 1, and slow attack and fast release, your mix will come alive in an incredible way.

Squash It
The DRAGON is one of the finest drum compressors to ever hit the analog market, and is complete with the famous overcompression “all buttons in” mode called ‘Squash’. This setting is simply stunning on drum room mics, or any other source that you want to explode out of the mix. Due to its extremely hifi signal path, the DRAGON’s ‘Squash’ setting can create that larger then life effect without causing a harsh or brittle high end.

Mix It Up
Last and certainly not least, the DRAGON includes a ‘Mix’ knob to control the wet/dry ratio of the source. This amazing feature allows you to add some heavy compression, and then back it off gently until it creates the perfect balance for your mix. The ‘Mix’ knob also allows you to parallel compress sources, such as drum busses, without having to mult or buss the drums to additional faders! You’ll find the ‘mix’ knob to be one of the most useful tools in modern analog compression.

Style
The DRAGON’s faceplate comes with a beautiful tribal mural designed by world renowned tattoo artist Davey Suicide, and will add a unique beauty to your rack. The striking look matches its remarkable sound.

Presets
Normally compressors don’t need presets, but with so many options (there is literally thousands of combinations), the DRAGON ships with a huge listing of presets made by Steven Slate and some of the world’s top producers, mixers, and even mastering engineers. But once you experience the many possibilities and sounds of the DRAGON, you’ll soon enjoy making your own!

Click here to see the Manual

Click here to see the Recall Sheet – Illustrated by Elliott Eicheldinger